Monitor Controller
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Dangerous MONITOR ST-SR Setpreis

Der Dangerous Monitor ST ist eine fernbedienbare Schaltzentrale,mit Eingangs und Ausgangsanwahl, Kopfhörermischer und Talkback System in einem Gerät. Das Erweiterungsmodul SR mit kompletter 5.1 Surround Funktionalität, kann jederzeit aufgerüstet werden - ohne Kompromisse

Audient Centro

professioneller Studiocontroller für sechs digitale Stereoquellen, sechs analoge Stereoquellen, zwei Stereo Cue-Mixe, eingebaute Talkback Funktion, über ein zentrales Panel mit Mute-, Kanal-Mute-, Mono-, Phasendreh- und Dim-Funktionen erlangen Sie volle Kontrolle über 3 stereo Abhörspeaker Paare
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Crane Song Avocet

Stereo monitor controller with analog and digital inputs, Headphone and talkback circuit, Level matching between sources, Remote control,Up-sampled and jitter reduced digital signals to ensure highest Accuracy during d/a conversion

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Coleman Audio SR 5.1

A highly-respected company among discriminating audio professionals, Coleman is known for designing gear with extremely transparent sound and minimal circuitry. There are no VCA's in the SR5.1, meaning the sound you get is completely uncolored. Coleman's SR5.1 brings that high quality to a simple, extremely easy-to-use, single knob volume control of your surround sound volume controller. The precise stepped attenuator tracks to .05db through out its range. All six balanced inputs and outputs are on XLR connectors. All six channels provide an individual mute switch as well as an internal trim control to adjust gain or fine tune the balance of the speaker system
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Coleman Audio TB 4 mkII

 
  • 4 Balanced stereo inputs, 2 balanced stereo outputs balanced on XLR connectors
  • Passive balanced level control +.05db tracking
  • Talkback switch and master level control
  • Remote microphone with 12 foot cable
  • Cue mix input and output with master level control balanced on RTS 1/4" jacks
  • Engineers headphone output and level control selects main signal or cue mix
  • 1U Standard Rack Mount Enclosure
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Coleman Audio AB 5.1

 
  • 3 groups of 6 input/outputs
  • Balanced RTS 1/4" jacks
  • 1U Standard Rack Mount Enclosure
  • Compare seperate surround mixes
  • Compare alternate surround speakers
  • Retail Pro Audio displays allows easy A/B comparison of surround speakers
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Drawmer SP2120 Speaker Protector

Speaker Protector, aktiver Lautstärkelimiter zum Schutz der Lautsprecher und Endstufen sowie zum Verhindern von Lautstärkeüberschreitungen, 19", 1HE. sofort lieferbar
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Mackie Big Knob

Mastercontroller mit talkback, Monitor Matrix, Levelcontrol.
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Presonus Center Station

NEU
analoge Mastersektion inklusive Talkback und Lautstärkeregelung und Kopfhörerverstärkern,. 5 Stereo Ein- und Ausgängen (je 2 Digital und 3 Analog) für CD-Player, DAT-Recoder und Tape
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PRESONUS Monitor Station

Studio Control Center, basierend auf der Central Station, Funktionen : Lautstärkeregler, 3 Stereo-Eingänge ( 2 x symetrisch Klinke, 1 x Chinch Aux/Phono ), 3 Stereo-Ausgänge symetrisch Klinke, Talkback Mikro mit Lautstärkeregler
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Samson C-Control

C-control Kontrollraum-Matrix mit eingebautem Talkback-Mikrophon und vielfältigen Routingmöglichkeiten, 3 schaltbare Anschlüsse für Abhörmonitore, regelbarer Kopfhörerausgang

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SPL MTC 2381

NEU
Monitor und Talkback Controller, sechs stereo Eingänge, 3 stereo Lautsprecher out, Quellen und Lautsprecher Anwahl, Mono, Dim, Mute, Talkbacksektion mit eingebautem Mikrofon (separater Ausgang)
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SPL sourround Monitorcontroller SMC

Der Surround Monitor Controller (SMC) von SPL ist eine analoge, zentrale Lautstärkeregelung für systemunabhängiges 5.1-Surround- und Stereo-Monitoring in allen Bereichen der Tonverarbeitung und -wiedergabe:

SPL 2Control

Lautsprecher- & Kopfhörer-Abhör-Controller, durchgängig analog aufgebaut, Anschluss und Auswahl von zwei Stereoquellen, zwei Stereo-Lautsprecher-Sets sowie zwei Kopfhörer anschließbar und unabhängig voneinander regelbar, zusätzlicher Mono-Lautsprecher-Ausgang für Subwoofer
spl_volume8

SPL Volume 8

High-End Multichannel Volume Controller, massiver Aluminiumknopf mit 45 mm Durchmesser, High-End Acht-Ebenen-Lautstärkepotentiometer mit extrem hohem Gleichlauf über alle Ebenen, beleuchteter Mute-Schalter von ALPS
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Grace Design M 906

 
  • The m906 system is comprised of three components; a 2U, 19" rack mount I/O and processing mainframe, a full function remote control unit and an external 1U, half-rack power supply.
  • Balanced and unbalanced analog 5.1 inputs, multiple balanced stereo analog inputs, and digital 5.1 and stereo source inputs accommodate large studio monitoring system configurations.
  • Ultra-low distortion 5.1 and stereo 24-bit D/A conversion included as standard in AES3, ADAT, S/PDIF and Optical (TOSLINK) formats. Sample rates of 44.1, 48, 88.2, 96, 176.4 and 192 kHz are supported.
  • The elegant and comprehensive remote control unit allows complete system operation from the mix position. A high quality 25' remote cable is included as standard.
  • Sophisticated system calibration tools allow users to adjust input levels, inter-channel balance offsets and control room output levels through a range of +/- 10dB in .5dB increments.
  • A fixed level, 5.1 configuration DAC output allows direct connection to recording systems for stem transfers.
  • Word Clock input/thru provides external system reference clocking as well as the ability to pass external clock signals thru to other digital devices down stream of the m906.
  • The m906 DAC includes Grace Design's new s-Lock two stage PLL (Phase Lock Loop) circuitry for the ultimate in low jitter digital signal stability and sonic integrity.
  • Solo and mute functions are available on a channel by channel basis, and mono, dim and mute all controls are also provided.
  • Stereo cue inputs/outputs allow cue feeds to be monitored in the control room as well as fed to the studio monitoring system.
  • Two reference headphone outputs are provided. One is located on the remote control unit while the other is on the front panel of the system mainframe.
  • Control room and headphone level outputs are controlled via two stepped rotary encoders in .5dB steps. The range is 100dB.
  • A pair of large, blue 7-segment LED's are used to show control room and headphone output level values.
  • A balanced talkback microphone input is provided on the rear panel of the system mainframe. Users can operate the talkback function via a momentary-action switch on the remote control unit or by connecting a footswitch to the TRS jack on the rear of the mainframe unit. The mic preamp used is essentially a single channel from our model 801R.
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Grace Design M904

 
  • The base m904 system is comprised of a 2U, 19" rack mount enclosure that contains all I/O, processing, operating controls and internal, linear power supply. All operating features of the m904 can be operated from the front panel controls.
  • Two balanced and one unbalanced analog stereo inputs are provided as well as two AES3, one S/PDIF and one switchable ADAT/Optical digital inputs.
  • Ultra-low distortion stereo 24-bit D/A conversion is included as standard. Sample rates of 44.1, 48, 88.2, 96, 176.4 and 192 kHz are supported.
  • Sophisticated system calibration tools allow users to adjust input levels, inter-channel balance offsets and control room output levels through a range of +/- 10dB in .5dB increments.
  • A fixed level stereo DAC output allows direct connection to recording systems for audio transfers.
  • Word Clock input/thru provides external system reference clocking as well as the ability to pass external clock signals thru to other digital devices down stream of the m904.
  • The m904 DAC includes Grace Design's new s-Lock two stage PLL (Phase Lock Loop) circuitry for the ultimate in low jitter digital signal stability and sonic integrity.
  • Mono, dim and mute all controls are provided.
  • Stereo cue inputs/outputs allow cue feeds to be monitored in the control room as well as fed to the studio monitoring system.
  • Two reference headphone outputs are provided.
  • Control room and headphone level outputs are controlled via two stepped rotary encoders in .5dB steps. The range is 100dB.
  • A pair of large, blue 7-segment LED's are used to show control room and headphone output level values.
  • A balanced talkback microphone input is provided on the rear panel of the system mainframe. Users can operate the talkback function via a momentary-action switch on the remote control unit or by connecting a footswitch to the TRS jack on the rear of the mainframe unit. The mic preamp used is essentially a single channel from our model 801R.
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Martin Sound MonitorMAX

 MonitorMAX adds the missing monitor interface for modern day DAW production systems without the real estate of a mixing console. It's a single-space rack- mounting unit housing all of the necessary interface connections and electronics, including a talkback microphone preamplifier, plus a remote controller. The remote features Monitor and Cue routing switches for up to 10 stereo sources, talkback, and level controls, plus a LCD window to display levels, mode information, and Setup menus. Eight professional and two consumer level stereo sources can be connected to MonitorMAX. Sensitivity of the consumer inputs can be adjusted within a setup menu from 6 to 26dB of gain in 0.1dB increments, allowing a wide range of consumer equipment to be interfaced. MonitorMAX enables independent routing of all 10 stereo sources to the separate Monitor and Cue paths, using two banks of 10 switches. Source selection for either path can be additive or interlocking (canceling the previous selection), so that any number of sources may be selected and monitored in the control room or routed to studio headphones or loudspeakers. The Monitor path includes a stereo output that may be used as a record or meter feed. Mute, Dim and Mono switches are provided for the Monitor output, together with switch selection of an alternate pair of control room monitors, while the Cue output includes a Mute switch. Separate rotary level controls are included for the Monitor and Cue outputs. The Monitor rotary control is also used when accessing Setup menus.Pressing the large, easy-to-reach Talkback switch dims cue output by 20dB while activating the talkback microphone. The flexibility of the system even allows both monitor paths to be configured as cue feeds with independent talkback level and the Alt Monitor output handling studio loudspeakers. Plus the Talkback switch and twin talkback logic inputs can be individually setup to route talkback just where you want it. MonitorMAX further enhances the power of Martinsound's MultiMAX by providing additional stereo monitor inputs and extra stereo monitor paths to surround production systems. With MultiMAX 's Downmix output connected as an input source and MonitorMAX 's talkback sense controlling MultiMAX 's external dim logic, MonitorMAX readily outputs your surround mix as stereo cue feeds with talkback for the talent or stereo monitoring in other production rooms, making for a very tightly integrated system.
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Martin sound MultiMAX EX

 MultiMAX EX adds surround sound monitoring control to your console or workstation. Whether you work in music, film or television, in production, post or mastering, you need to be able to cope with the current surround sound formats. MultiMAX EX handles anything from Dolby Stereo to SDDS, including the popular Dolby Digital 5.1 and DTS formats for DVD, plus HDTV, DTV and many more. Don't change your console, just add MultiMAX EX.MultiMAX EX replaces your console's monitor section, providing surround sound mix bus monitoring, as well as downmixing, encoder sends and decoder returns. MultiMAX EX does all this and still lets you listen to your console, so you can check PFL or external sources with just the push of a button. And like your console you have tape/bus monitoring, source selection, level, mute and dim control.MultiMAX EX folds down your multichannel mixes so you can hear how they will sound on other playback systems. Your HDTV broadcast will also be heard in stereo or mono by consumers. Your DVD mixes, too. You need to be sure your multichannel mix will still sound great on systems with fewer playback channels. MultiMAX EX even lets you format the stereo downmix, so you can generate stereo reference copies.